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LESSON
TWENTY.THREE
INTRODUCTION
A:
Hello.
CH:
Hello.
ln
today's
programme
we'll
learn
to
talk
about what
we
want
to
do,
what
we can do and
what
we have
to
do.
PR.ESENTATION
WHAT WOULD
YOU
LIKE
TO
DO?
A:
We've
got afternoon
tomorrow
free. What shall we
do,
Chris?
CH:
I'd
like to
go
to
a
museum.
[.
.
*l
c\
J
A:
I
want
to
go
to
an open-air
concert. How about that?
.
I
CH:
That
depends
on the
weather.
[digo*"a J
r*Jr*f*t'
A:
I
have
an
idea!
If it
rains,
we'll
go
to
a
museum.
If
it's fine, we'll
go
to
an
open-air concert.
CH: Now,
is
it
difficult
to
visit the
Houses
of
Parliament?
NO,
IT
ISN'T DIFFICULT.
[XS)
F"t
(l.,tl
A:
Is
it
difficult
to visit
the Houses
of
Parliament,
Chris?
CH: No,
it
isn't
difficult. It's
quite
easy
in
fact.
A:
I'd
like to visit
them.
CH:
As
a
matter
of fact,
I'm
going
to
take
you
there tomorrow.
r^rlri r
l*aqnA: SPlendid!
* :r
*
CH: And now, what do
we have
to
do
in
a museum?
YOU HAVE TO LEAVE
IT
IN
THE CLOAKROOM.
284
(In
front
of
the
British
Museum)
A:
Can
I
go
in
there
with my
bag?
CH:
You can't
take
bags
inside the
museum.
A:
Perhaps
I'll
leave
it
with
an attendant?
[,r]]""
dr*f
l
CH:
You
have
to
leave
it
in
the cloakroom.
***
f
lLb.,t--
-r,*wrl
CH: That's all
from
us
for
ltow.
A:
Now, let's watch other
speakers
talk
about what they want
to
do,
what they
can do and
what they
have
to
do.
Here's Francis Matthews.
FILM AND
STUIO
SCENES
SCENE
1
Grupa
znaiomych
zwiedza
Londyn
samochodem
hrlan: What
shall we do
now?
Where
would you
like to
go?
lst
woman:
I
want
to
go
to
the
Tower
of
London.
tr{an: The
Tower
of
London is that way,
and we
have
to turn
left
out of
here.
Look
at the
sign.
Znd
woman:
I'd
like to
go
to
Westminster.
Can
we go there?
lst
woman: Just
a
minute.
What
would
you like
to
do?
SCENE
2
Francis gra
z
Mary
w
szachy.
Francis:
(Do
widzdwl
Hello.
It's
the
weekend.
Excuse
me.
I'm
playing
chess.
(To
Mary
) Your
move.
IMary:
I
don't
want
to
play
cltess.
Bill:
What
would
you
like
to
do?
Mary:
I
don't
know.
What
would
you like
to
do?
Jane:
['d
like to
go
out.
Let's
go
out.
Mary:
Where shall we
go?
What shall we
do?
Francis:
I
want
to
play
chess.
Bill:
There
are some
concerts.
Or
shall we go
to
the musem? Would
you like to
go
there
?
lMary: Yes.
I'd
like to
go
there.
Francis,
what
do
you
want
to
do?
Francis:
I
want
to
play
chess. So
I'm
staying here.
Mary: And
we're
going
to
the
museum.
285
chess
I'm
playing
chess.
moYe
SCENE
3
lzachy
Gram w
szachy,
I'd
like
togo
out.
nrch
Chcialabym
gdzie(
p6j6i.
biurze
podrdiy.
Customer:
I
want
to
go
to
Rome.
Clerk:
And
when
do
you
want
to
go?
Customer:
Next
week.
Wednesdav.
14
SCENE
4
Ulica
przy
muzeum.
Jane:
You
can't park
here.
Bill.
Bill:
Why not?
Jane:
You
can't
do
it.
Your
car's
too
big.
Ilill:
I
can
park
here easily.
It's not
difficult.
lvlary:
help you.
Can
you
see
that
way?
Bill: I
can't
see
very well, But
I'll
be
all
right.
Potrqca
vmochdd
stoiqcy
z
tylu.
lt
isn't
easy.
I'll
Jane: What
happened?
doesn't
matter.
The car's
all right. You
can
go
that
way.
You
can go
about
one and
a
half
metres.
Be
careful!
Stop!
Wpada
na samochod stojqcy
przed nim.
Bll:
Look
at
that!
You didn't
stop
me.
Jane:
You didn't
listen
to
her.
Bill:
Well,
Jane.
Would
you like to
park the
car?
Jane:
No.
I
can't
drive.
Bill: You
want
to
go
to
the
museum.
Please
don't wait for
me.
I'll
park the
car.
It's
easy.
I
can
park
here easily.
It
isn't
difficult.
Mary:
It
I
can
park
here
easily.
It
isn't
easy.
difficult
Be
careful!
drive, drove,
driven
SCENE
5
lU
Mogg
tu zaparkowai z
latwodci4.
To
niejest latwe,
trudny
Uwaga!
(Uwaiaj!)
prowadzii
(samoch6d)
biurze
podrdiy.
Customer:
I
want
to
go
to
Rome
next
Wednesday. Can
Clerk: Certainly,
sir.
Do
you
want to
fly?
I
buy
a
ticket
here?
"
286
Customer:
Yes.
I'd
like
a
flight
in
the
morning."o
domu.
Flusband: These trousers
are
very
dirty.
W
Wife:
Don't worry.
I'll
wash
them today.
llusband: But you can't
wash
these.
Wife:
You
can wash
them
in
warm water.
Look
at
the label.
Dwai znaiomi
graiq w
squash.
lst
player: Would
you like to
play on
Saturday?
2nd player:
Yes.
What
time?
lst
player:
Seven
o'clock
in
the evening.
Can
you play at
that
time?
2nd
player:
I'd
prefer
an
earlier
time
-
six
o'clock
is
better.
lst
player:
Yes,
all
right.
I
can get here
at
six.
fly,
flew,
flown
trousets
latac,
fruwai
spodnie
dirty
brudny
wash
squasn
taier
L-
r
Lea.tt
J
\--
.
warm
I
' w
o;
r'^)
r'.
pta6,,
\
myi
me
ciepty
etykieta,
tka
gfa
sQortowa
t,neL4t*
SCENE
6
Muzeum.
Bileter
patrzy
na
Jane
i
Mary.
Jane: What's
the
matter?
hdary:
I
think
he
wants
to look in your
bag.
Jane: Yes,
I think
so.
Attendant:
Excuse
ffie,
Miss.
Jane:
Do
you
want
to look in my
bag?
Attendant: No,
I
don't.
But
you
can't take
bags
inside
the museum.
You
have
to
leave
them
there.
Jane:
Can
I
leave
my
bag
with
you?
Attendant:
No.
Please
take
it
over there.
To
the cloakroom.
Jane:
I'll
be back
in
a
moment.
IVlary:
How much
does
it
cost
to
go in?
Attendant:
It's
free.
lVlary:
Oh,
good. Can
I
take photographs?
Attendant:
Yes,
certainly.
Mary
idzie w strong
wyiScia.
Attendant:
Excuse ffie, Miss.
You
can't
go
in
here.
You
have
to
go
in
there.
Can
I
leave
my
bag
with
you?
Czy mogg
zostawii
torbg u
pana?
287
''l
cloakroom
It's
free.
Can
I
take
photographs?
You can't
go
in
here.
SCENE
7
szatnia
To
jest bezptatne.
(Wstqp
wolny).
Czy mogg
fotografowai
(robii
zdiecia)?
Nie
moina
tu
wchodzii.
Znak drogowy
zak'azuiqcy
skrgtu
w prawo.
Francis: This
sign
means
you
can't turn
right.
Cz
erwone
iwiat
I
o
uliczne.
Francis: This
means
you can't
go.
The light's
red. You
have
to
wait
for
the
green
light.
Swiatto
zmienia
sig
na
zielone.
Francis:
You
can go
now,
because
the light's
green.
sign
SCENE
8
znak
mean
wait
for
the green
light
znaczyi)
oznaczai,
mie
i
na my6li
q'ekai
na zielone
Swiatlo
W
czasie
wykonywonia piosenki poiawiaig sig
znaki
drogowe i
zmieniaiq
Swiat
la.
You can't
turn left,
You can't turn right,
You
have
to
wait
for
the green
light-
You
can't
turn left,
You
can't
turn right,
You
have
to wait
for
the green
light.
This sign means:
You
can't
turn left,
This
sign
means:
You
can't
tum
right,
This means:
You
have tP stop,
You
have
to wait
for
the
green
light.
SCENE
9
Froncis gra
w
szochY.
Francis:
I
can't
move here,
or
here.
SCENE
10
Muzeum.
Jane: What's
the
matter?
Ah!
I
can
move
here.
Mary:
It's
my cameta.It
doesn't work.
Jane:
Your
camera never
works.
I'll
help you.
288

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