Classical Music 1021 - June 2016.pdf

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CLASSICALMUSICMAGAZINE.ORG
JUNE 2016
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MUSICAL
BREXIT
Industry figures
speak out
Q&A: JOHN
RUTTER
‘Pigeon-holed,
yes, but not
unfairly’
PAULINE
OLIVEROS
SEE PAGE 54
Deep minimalism
at Smith Square
ANTONIO
PAPPANO
Accademia di
Santa Cecilia
MARVELLOUS
MIRGA
Taking the CBSO by storm
MEET THE
MAESTRO
Jonathon
Heyward at
the Hallé
06>
PLUS:
IAMA CONFERENCE REPORT
|
OLIVER MEARS
|
THE BACH CHOIR
9
770961
269105
SEASON
2016
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17
Scottish Opera
is core funded by
scottishopera.org.uk
Registered in Scotland Number SCO37531 Scottish Charity Number SCO19787
CONTENTS
JUNE 2016 ISSUE 1021
CLASSICAL MUSIC
IN THIS ISSUE
54 PAULINE OLIVEROS
Exclusive interview with
minimalist matriarch
Northern Ireland Opera’s
artistic director
Health and wellbeing
Artist managers give
their views
RLPO cellist turned
shadow culture minister
38
© ZERBOR/SHUTTERSTOCK
© JEREMY AYRES FISCHER
63
14 BARLINES
News in brief
71
38 MEET THE MAESTRO
Jonathon Heyward
Music shop owner
57 OLIVER MEARS
JUNE 2016
20 ARTIST MANAGER NEWS
e future for symphony
orchestras
Katy Wright on the
month’s big stories
A poignant piece by
Michael Stimpson; plus
the rise of vinyl
Costing the musical
audience
© PAUL SAUNDERS
41
INSIDERS ANONYMOUS
60 ISM
© FRANS JANSEN
22 NEWS REVIEW
72 RECORDING
William Howard
Opera Rara
Florilegium
63 BREXIT
23 INSIDE VIEW
77 CD REVIEWS
79 BOOK REVIEWS
81 BROADCASTING
BBC’s Get Playing
initiative
Cryptic crossword
and quiz
CLASSICALMUSICMAGAZINE.ORG
CM0616_001_F_Cover.indd 2
18/05/2016 14:30:00
66 THANGAM DEBONNAIRE
COVER STORY
24 ECONOMIC EAR
42 MIRGA GRA�½INYTĖ-TYLA
e CBSO’s next music
director
68 WIPO CONFERENCE
How artistic creators can
protect their livelihoods
Meaningful music and
memory
FEATURES
46 BACH CHOIR
Children’s commission
marks 140th year
Come-and-play
contemporary weekend
Ten seasons in Rome
71
MINDSONG
28
Philip Borg-Wheeler
29
Neil Ferris
31
Andrew Mellor
32 PREMIERES
Anna Meredith, John
Woolrich and Shiva
Feshareki
Composer/conductor
re ects on a life in music
OPINION
82 ENIGMA
84 RECRUITMENT ADVERTISING
86 EXTENDED INTERVALS
A critic’s life with
Michael White
48 COMA
REGULARS
5
6
7
EDITORIAL
LETTERS & HORNBLOWER
NEWS
37 Q&A: JOHN RUTTER
50 ANTONIO PAPPANO
JUNE 2016
CLASSICALMUSICMAGAZINE.ORG
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SUMMER
Experience the Magic!
CONCERTS 2016
Main Orchestra
Saturday 30 July
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7pm
Preston Guild Hall
Tickets
01772 80 44 44
www.prestonguildhall.com
Under 13 Orchestra
Saturday 13 August
|
7pm
Leeds Town Hall
Tickets
0113 376 0318
www.leeds.gov.uk/townhall
Under 12 Orchestra
Saturday 20 August
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6pm
Town Hall Birmingham
Tickets
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Photo: Bill Hiskett
EDITOR’S LETTER
EDITOR
Kimon Daltas
NEWS EDITOR
Katy Wright
CONSULTANT EDITOR
Keith Clarke
HEAD OF DESIGN & PRODUCTION
Beck Ward Murphy
© FRANCES INNES-HOPKINS
DESIGNER
Daniela Di Padova
PRODUCTION
James Taggart
ADVERTISING MANAGER
John Ward
ADVERTISING EXECUTIVE
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MARKETING MANAGER
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HEAD OF SALES
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PUBLISHER
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ith noise around the referendum already dominating the political news and
likely to get louder, it is a cruel coincidence that an EU botch has quietly
swallowed up the European Union Youth Orchestra. A campaign is gathering
ground as I write so hopefully, by the time this magazine reaches you, some sort of solution
will have been found. If not, go to
www.euyo.eu
for information on how you can help exert
pressure in the right places.
What’s frustrating about the situation is that no one has actually decided that the orchestra
isn’t worth funding, or that there are other ways to achieve the same aims and the money is
better spent elsewhere. It more seems to be the case that the framework within which the
orchestra existed has been dismantled as part of a general cultural policy tidy-up. Yes, it is
di cult to quantify the value of cultural ambassadors and sure, running an orchestra is an
expensive business – that won’t come as surprise to any of you. But really, in the scheme of
things, a 40-year-old institution, choked o almost by accident? It’s all wrong.
More politics as the government released its white paper on the future of the BBC on 12
May. e wider issues have been chewed on endlessly elsewhere, so let’s focus on classical
music, where it seems there is reason to feel somewhere on the relieved/cautiously optimistic
spectrum. e issue of distinctiveness is high on the agenda, and one of the very few
mentions of Radio 3 is to note that it is ‘quite clearly distinct from commercial competitors’.
Also, the fact that the station has ‘supported live classical music events outside of London’
sees it singled out for praise in the eld of ‘cultural partnerships which provide great value
for viewers and listeners’. Finally, the paper moots the creation of a £20m ‘public service
content fund’ to be spent with organisations other than the BBC creating programming in
underserved areas – with classical music identi ed as one of them.
Meanwhile the latest quarterly Rajar gures put Radio 3’s reach at a three-year high of 2.12
million. In the current climate, they’d better be careful not to get too successful.
W
Welcome
KIMON DALTAS
EDITOR
SUBSCRIBE TO CLASSICAL MUSIC – SEE PAGE 80
JUNE 2016
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