Reader's_Digest_Treasury_of_Best_Loved_Songs A4.pdf

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Iamily Iavorites
entertainment
Programmed your greater
Pleasure
for
F.clitor: Williarn L. Sirnon
Associatcs: Lctitia B. Kehoe . Alan Blzrckman . Brttce Macotnbcr
S u p e n , i s i n s E c l i t o r ' :W . A . H . B i r n i e
Music arrztnsed ancl eclited by Dan Fbx
['he Reaclcr's Digest Association, Inc.
Montreal
Pleasantville, Ncrv York
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s u b s c n p l t o n r n f o r m a lo n a b o u t t h i s m a g a z i n e , p l e a s e c o n t a c t R e a d e r ' s D i g e s t F u n d f o r t h e B l i n d l n c
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book is truly u "by popular de-
fhis
I mand" creation, ollr response to
the enthusiasm
which greetedthe first
Reader's Digest family songbook. In
this all-new collection of songs you
will find selectionsfrom every decade
since the turn of the century and folk
songs whose echoes go back even farther. There are
Broadway melodies,film hits, country music gems and
inspiring songs of faith, all congenially grouped ac-
cording to the exclusive Reader's Digest Pleasure-
Programming approach to music. N.Ioreovel', pages
on
4 and 5, you will find additional suggestions song
for
px)grams you and your frienclsale most likely to enjoy
in different moods and on van,ing occasions.
The arrangements,
preparedespeciallyfor this book,
are designed for musicians of everyday ability. They
rureeasy to play and ,vet they sound ftrll, modern and
thoroughly professiorral.
Arranger Dan Fox points out
the follorving feattrres:
"The harmonies make restrained use of many ex-
tencled chords (9ths, 1lths, etc.) as u'ell as typical
alterationsusecllrv musiciansof today, and the songs
have been modernizedrhythmically as well. The rinky-
tink syncopations songsfrom the'20s and '30s have
in
been altered to conform u'ith today's style.
"PIANISTS rvill see that the harmoniesare incisive
irnd the rhythms graceful and swingy by turn. The
bass lines often movc in simple scale-r,vise
fashion,
arpeggiosare easv to finger and tlie melocly is right
out front at all times.
"Those who have sttrdied the so-called 'popular
method' will find the melody easy to pick out (it is
trlu'avs stemmed up unless it stands alone) and the
chord svmbols unusually detailed and accurate. Al-
though this is not .lhva1'5true in commercial sheet
mrrsic, the poptrlar pltrver ma\r assumethat the root
of any right-hand c'horclis also to be playcd in the
bass unlessotheru'isespecified.
"l\Iore advanceclplavers rnav u'ant to fancy things
The melody may
up a bit. I{ere are a feu-suqqestions:
u'ith grilce notesfrom above
sometimes enrbellisliecl
be
alr
or belou'; or it crln be clotrblecl octave lor.veror
the
higher for a briqhter sotrncl: bassline can be dou-
bled u'ith a lou'er octAre for qreater depth and ftrll-
ness;arpeggiosc'rr.rl ertencledto co\ er tu'o or more
be
its
octaves;if a chord is sustainecl, arpeggio nav be
have no diffictrltr'
substituted.Imaginative playels r,r,ill
in thinkiltg up more variations to suit their ogrl str le
rlncl taste.
"GUITARISTS will discoverthat a great deal of care
has been taken to insure that their part of each
is
rtrrangement as clear artd as musical as ptlssible:the
diagrams have been carefully thought out to facilitate
fingering and obtain the best sound, and u'herever
possible,the bass note of the diagram correspondsto
the bassnote in the piano.
"If yott have tt gtritar-playingfriend, one of votr calr
play the melody in singlenotesand the other the chords.
If you have another friend who plal's bass guitai.
let him play flom the.lowerstaff,and you have a qroup
In any case,there is something here for the gpitirrist
of eyery abilitr', flom blles and folk songslsipq ollr
a few chords to modern ballads and iazz songsu'hic|
use 9ths, 13ths,passingharmoniesand altered c'horcl.
"ORGAN PLAYERS, too, rvill find these arrilnse-
ments interesting, challenging and fun to pla)'. Tht
small notes uuder the lower staff indicate the proper
bass note. The range of the bass line has llcerl kep:
within an octave in order that it can be plaved otl an'.
plavers
model electlonic or pipe ot'gan.Like piarlist-s.
who have studied the poptrlar method u'ill fincl the
melody easy to pick out. Pedals are indicateclbv tl,e
small notes belorv the staff, and the left hancl can fill
in chords as indicateclb1' the symbols.
"SINGERS rvill appreciate the clarity s'ith ri'hich
these songs are presented.There are no conftrsingre-
peat signs, and page tttrns occlrr only where a s,rtt':
runs for three or more pages.The words are prirrte,l
in a type face u'hich is easily legible even rvhen rc.;rd-
shoulder.
ing over someone's
"Finally, players of the VIOLIN, FLUTE, \IELO-
DICA, HARN{ONICA and other C-melodv iustnt-
ments can plav the melody from the top line of each
system,or use the melodv notes as a guide and crellte
improvisationsbased on the chord symbols above the
top staff."
For every singer, instrumentalist, soloist or familr'
group, there are many hours of exciting mtisical fr-rn
and exhilarationawaiting y'ortin thesepages.\\/e liope
vou will enjoy them to the fullest.
THE EDITORS
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Programs
Pleasure
\IEDIUM AND BRIGHT
WALTZES
\\'lr:rt the World NeedsNow
Is Love
Hi -Lili. Hi- Lo
L,.-rVtI
MARCHES
Hello, Dolly!
)vIe
Pass By . .
Notre Dame Victory March . . . .
GodBlessAmerica...
60
169
208
286
FOR THAT SPECIAL GIRL
ALICE Blue Cown
Hello, DOLLY!
LAURA
Hi-LILI. Hi-Lo
LOUISE
MAME
MARCIE
MATILDA, Matilda! .
MONA LISA
Wait Till the Sun Shines,
NELLIE
STELLA by Starlight. . .
201
60
1ft
L52
161
62
18S
105
I5-1
9))
,R)
7l
r52
158
181
240
258
Down the River
CrLrising
That's Amore
-\nniversirry Song
SING-ALONG FUN
I'm Gonna Sit Right Down and
Write Myself a Letter
Hello, Dolly!
SLOW WALTZES
Thrce O'Clock in the Morning . .
\l oon Riv er
Let \lc Call You Sweetheart.. . .
TIie Su,eetheartof Sigma Chi. '
Blue Gown . ..
.\l i c'e'
Bcrrtitifr-rl Ohio
Tcnclerll'
-\nttiversarl' Song
130
t44
184
Mame
Matilda, Matilda!
N{ichael,Rorv the Boat Ashore . .
Side by Side .
Five Foot Trvo, E,vesof Blue . .
I Can't Give You AnYthing
But Love
S'posin'
Who's Sorry Norv?
Three O'Clock in the Morning
My Blue Heaven
Hi-Lili. Hi-Lo
Louise
All songsin
18
60
62
108
110
119
FOR SPECIAL OCCASIONS
(AnnioersarY)
Anniversary Song
For Me and My Gal .
Let Me Call You Srveetheart . . .
Loae Storg Theme
More
This Guy's in Love with You . .
Who's Sorry Nor,v?
Young at Heart
(Christmas)
Toyland
Santa Claus Is Comin' to Town.
The Christmas Song
(Patriotic)
GodBlessAmcrica...
Dag)
(St. Patrick's
Harrigan
Galwav Bav .
206
251
(Wedding)
286
2I:r
216
27I
25S
175
lE-l
I72
175
6E
12S
23it
r22
I24
126
f28
130
136
I52
161
r90
204
218
238
258-
WITH A LITTLE BIT OF
ROCK BEAT
The Glory of Love
I'll \ever Fall in Love Again . .
.i i ,is
Guv 's in Lov e With You..
'"I,-:'.rt World Needs Now
the
Is Love
Tlrev Long to Be ) Close to You
Don'ntorvn
Gorn' Out of My Hezrd
I \\'iurt to Hold Your Hand . . . .
\lidnight Special
R.iindrops Keep Fallin'
on \Iv Head
I -{hnost Lost My Mind
4I
65
68
7l
74
76
87
102
lL4
f39
230
GOLDEN FAVORITES . . .T78.223
226
Bouquet of Roses
240
That's Amore
251
Arrivederci, Roma
254
Galway Bay .
264
Paper Doll
BARBERSHOPBALLADS
Goodnight Sweetheart .
Hello, Dolly!
Hi-Lili, Hi-Lo
For Me and My Gal .
Cruising Down the River
Let Me Call You Sweetheart . . .
The Cang that Sang
"Heart of My Heart"
Margie
The Sweetheart of Sigma Chi . .
Whiffenpoof Song
Ja-Da
Show Me the Way to Co Home.
Alice Blue Gown
Harrigan
Beautiful Ohio
Wait Till the Sun Shines, Nellie
44
60
L52
178
181
184
186
l8B
190
192
196
200
204
206
218
222
If...
Let It Be Me
Loae Storg Theme
More
Tenderly
With These Hands
You'll Never Walk Alone
256
/b
172
L75
236
284
271
LATIN RHYTHMS
The Gill from Ipanema
Quiet Nights of Quiet Stars ... .
\l atilda, M at ilda!
\i ore
TheBreezeandI...
BltreTango..
-\rrivederci, Roma
81
95
108
L75
243
248
251
ESPECIALLY FOR THE
YOUNGSTERS
The Fox
Hi-Lili, Hi-Lo
Toyland
SantaClausIs Comin'to Town.
(How Much Is ) That Doggie
in the Window
America
God Bless
lI2
I52
zLs
216
266
286
PLACES TO SING ABOUT
--\\IERICA (God BlessAnrcricii)
t s I t\ Z I L
( T h c G i r l f r o r nI p a n c n r i r ) . . . .
t)o\vN1'O\\/N
I I A W A I I ( t s l u cl l a r v a i i ) . . . . .
IIIIILAN D ( Galu 'av Ba.v)
\IIA\II (\loori Ovt'r \Iianri) . .
\tjw YO II K CIT I ( Iliuilrrrttan)
O I I I O ( B e t r r t i f uO h i o ) . . . . .
l
ltol l E ( Ar r ii'cc k,r c,i,
llonra ) . . .
TOYLANI)...
2S6
gl
76
36
2il
22
132
2fg
2SI
215
OPENERS
CLOSERS
(For ,slrctt:s,
ussentltlies un eoeningof fun)
or
Arnazin g C l ace
IJccr Barrerl
Polku
(locl llk'ss Anicrica . . .
Ht'l lo, Dol l y!
Sidc:by Siclc .
\\/hirt the World Nc'eds Norv
Is I-orre
280
2r0
286
60
119
7L
sJw
, A - ^
C o d B l c s s A m e r r i c .l . .
l
Coodnight Sweetheart
Look for the Silver Lining
\l ar tht' Good Lord B k'ss
and Keep You .
Petrcein the \ralley (There'll Be )
Show'NIt'the \Varyto Go Home . .
Thrcc O'Clock in thc N,Iorning..
Yorr'l lN t'r'er \V al k Al onc
.. . .
286
44
56
277
282
200
130
274
nry Au:urd \l; inner
" -\t:urle
Film
I)rcakfo,stat TifJany',s( 1961) . . . .
lJtttclt Cassirlqand tlte Sttntlunt.cKid
't'l te
Cuddy ( 1953)
C u p t o i n C a r e y ,[ . I . S . A ( f g 5 0 ) .
.
.
l l c e n lN i g h ra t E i g l f t( 1 9 3 5 ). . . . . . .
liutl ter C oos e ( fgG4)
I cclancl ( 1912)
Irtttocerts f Puris (1929) ...
o
7'1 rc son St ory (f 946 ) . .
lol,
Luura (1914)
SongsIntroducedin Films
S ong
....AIfie
....\,Ioon Rivero
. . . . llaindrops Kcep Fallin' on \Iy Heild". . .
....That's Arnorc
....NlonaLisao
. . . . I ' m i n t h e r , \ f o o co r L o v e . . . . . . . . . . . .
fl
. . . . P a s sN , { e y
B
. . . . Therc \\/ill Ncvcr Be Another you
....Louise
. . . . A n n i v e r s u r yS o n g
....Laura
....Hi-Lili, Hi-Lo
....Lover' ...
. . . . L o u e S t o r y T h e r n e( \ V h c r c D o I B e g i n )
. . . . S t r a n g e r sn t h e N i g h t . . .
i
....N'forc
. . . . Call I,Ie lrrt'sponsible
. . . .I'r'nrricsfrom l{eaven
. . . . A T i n r ef o r U s
....HcartandSoul
....I \\/ill \\'ait for You
. . . . Stella by' Starlight .
....BIue Harvaii
.\lfie ( 1e66
)
( 1e6e
)
r,ili (te52)
Loxe lle Toniglft (1982) . .
Lot:e Story (1970)
. \ ) l u n C o u l c lC e t K i l l e ( / ( f 9 6 6 ) . . .
)l orulo Cane ( 1963)
Pupo', D elic at e Con ditio rr ('lg63) . . .
s
P c n r i e sf r o n r I I e u t t , t t ( 1 9 3 6 ) . .
Ilomao utt d lulit:, (19 6B . .
)
.{ Sorrg ls Born ( 19:18
)
( -ni ltre llasof Clr ct. lto ttrt( 1 964
) ....
T l t c U n i n o i t e d( l g l 4 ) . . .
\ l'ai l ti/ ri \I/ eddins (19 37) . .
I46
L44
139
240
154
l6
I69
268
r6l
258
164
L52
I58
L72
84
175
I42
166
156
38
149
262
36
-t
Sr
-,Jngs Introduced
I '
ltt broaqwqv Jnows
t-l
,
(1 ,
r
Show
ir orllaud ( 19013
)
!)1b2, t,_T
Rlucklilrds of 1928
()_orousel1945
)
_(
I^iftU X,Iites
front Bo,stort(1908)
G a rri cl; Caietic s (lgl5)
.
(]rcetnoich Yillage F-ollie,s
(l92l )
Ilello, Dolly.! (1963)
...
I rtternationolReaierc ( 1930
)
Irene ( 1919)
M_ame(1966)
Tlte lliclniglft Rottnde o.f 1S)21
r,s
Prctrrtises,
Promi,sc,s 1g6E) . . . .
(
I-,|olte (1933)
rta
S/rorr, '
Boat ( 1t ) 27) . . .
Ycrtl \l/arnt for LIary ( 1g3g
S ong
. . . Toyland
. . .I Can't Clive You Anything But Love
. . . Yotr'll Never \\-alk Alone . . . .
. . . Ilarrigan
. . . N{unhitttan
. . . Thrce O'Clock in the N4ornins
...Hello,Dolll'!
......
. . . On thcr Sunny Sicleof the Strec:t. . . .
. . . Alicc. Bltrc Gon'n
. . . Ntlame
N.{a(Ile's \laking Eyr.s at N{e)
.
, . .I'll NerverFall in Love Again
. . . SrnokeGcts in Yotrr Eyes .
. . . Look for the Silvc.r Linir-rg
. . . Clrtn'tllclp Lovin' Drrt \frrn
N{ake Bclievc
\V hy D o I Lo\,('Y ou?
. . ..\ll thc ThingsYou -\rc
srltty11e20)
215
r24
274
206
132
130
60
25
204
62
220
65
46
56
19
52
54
5B

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