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TWIN PEAKS #28
(Episode 2.021)
by
Barry Pullman
Scanned by runningdog.
Original formatting duplicated as closely as possible. For
clarification all duplicate pages removed. Special note: this is a
faithful duplication that includes the original spelling, formatting and
series related errors.
First Draft: February 5 ,1991
Second Draft/Dist. to Dept. Heads: February 8,1991
Revised/General Distribution: February 14, 1991 - Blue
Revised: February 14, 1991 - Pink
Revised: February 20, 1991 - Green
Revised: February 21, 1991 - Yellow
Revised: February 22, 1991 - Cherry
Lynch/Frost Productions, Inc.
7700 Balboa Boulevard
Van Nuys, CA 91406
(818) 909-7900
#2.021
ACT ONE
FADE IN:
1.
INT. WINDOM EARLE'S CABIN - DAY
LEO JOHNSON and MAJOR BRIGGS sit captive against a wall. Leo slowly looks around
the room. Does so again. Apparently satisfied , he rises to his feet and moves until the ankle
chain snaps him to a halt. Straining forward, he is able to lean over a table, and takes
something from its drawer. He then returns to beside Briggs, who still looks very dazed,
unconscious of his surroundings. Leo, with great effort, fits his new possession into the lock of
Briggs's handcuffs. Briggs is released. But doesn't realize it. Leo shakes him.
LEO
Save Shelly ...
Leo is looking up at the wall with Shelly's photo. Enough internal fog clears for Briggs to
realize he is now free. He gets up unsteadily and stumbles away. CLOSE ON the wall
photos.
2.
SAME PHOTOS - LATER
MATCH CUT TO:
1.
SOUND of a door closing. Footsteps. EXPAND TO show WINDOM EARLE coming in
to see Briggs is gone.
EARLE
Why, who in the world let Major Briggs loose, Leo? It
couldn't have been you, could it?
Leo cringes, expecting another shock. None comes.
EARLE
No, no punishment little Leo. It's to late for that to
do us any harm. And I have a new game for you.
He holds up a burlap bag. Something's moving inside.
3.
INT. DINER - DAY
CUT TO:
Over by the kitchen, SHELLY and ANNIE are sorting silverware, when they're joined by
NORMA, who carries over a tray of freshly baked pies.
NORMA
Here's our contribution to the Miss Twin Peaks Gala
Buffet. And I fully expect to see one of you up there
tonight in the winner's circle.
ANNIE
Dream on, Norma.
(CONTINUED)
#2.021
3.
CONTINUED:
NORMA
Don't sell yourself short, kid. This is one of the biggest
days of the year for us and we need somebody up there
who deserves that title. Especially
this
year.
ANNIE
... Laura Palmer.
NORMA
A day of healing and coming together.
SHELLY
We could use more than a day.
(pause, then)
Norma, is it true they're going to honor you tonight?
Twentieth anniversary of when you won?
NORMA
(playful)
2.
Hush.
SHELLY
If you entered you could win today.
NORMA
Listen to her, working on the judge already.
SHELLY
Since you brought it up ...
ANNIE
Good question: who are you going to vote for?
Ahelly and Annie put an arm around each other and present a united front.
ANNIE
Maybe they'll let you split your vote.
NORMA
(laughing)
We have a customer.
ANGLE ON DALE COOPER entering the diner. It's clear whose customer he is: to
Shelly's intrigued glance, Annie walks over toward the counter.
COOPER
Looks like a staff meeting of the Double R brain trust.
ANNIE
We're trying to decide who's going to win tonight.
(CONTINUED)
#2.021
3.
CONTINUED:(2)
COOPER
No question about it. You are.
ANNIE
You're not exactly objective -
COOPER
I am completely objective.
ANNIE
(softly flirtatious)
I think you're not as objective as you think you are.
COOPER
Perhaps that's why it seems so important to me that we
kiss.
ANNIE
(affectionate, not shy)
You impetuous boy. We have an audience.
COOPER
I know this violates multiple laws of physics, but at his
moment, Annie, and I mean this quite literally... you are
the only person in the room.
Annie beams. They lean across the counter to kiss. Shelly and Norma look on, smile, look
away.
4.
INT. GREAT NORTHERN - DAY
CUT TO:
3.
AUDREY HORNE stands pensively, her face half-lit by the fireplace glow. BEN HORNE
enters, arms filled with books they nearly obscure him. Audrey manages a smile.
Hi, Daddy.
AUDREY
BEN
(pausing by the fire, nearly losing hold of a
tome)
Audrey. The most intelligent face I've seen all day. You
make the rest of us look like primates.
AUDREY
What's with all the books?
(CONTINUED)
#2.021
4.
CONTINUED:
BEN
(listing each and every one)
The Koran, the Bhagavad-Gita, the Talmud, the Bible,
New and Old Testaments, the Tao-te-ching ... I have in
my arms those holy books that constitute the fundamental
framework of man's philosophies of good. Somewhere in
here are the answers I seek. I intend to read them, cover
to cover until find ...
4.
Audrey's attention has wandered back to the fire. Ben Finally stops rambling, sees the sad
expression on her face.
BEN
Listen to me, prattling on. It's Jack, isn't it?
AUDREY
He's only been gone a day. I ask myself how much will it
hurt next week?
BEN
Let me give you a piece of ageless wisdom culled from
these volumes: time heals all wounds.
(she starts to reply)
I know what it feels like. Believe me, I know. He'll be
back.
AUDREY
We barely had time to realize how we felt ...
BEN
But what you had was highly concentrated.
AUDREY
It's the concentrate they make concentrate from.
(sigh)
I'm afraid I'll never see him again.
BEN
Jack's a man of his word. If he said he'll be back, he'll be
back, I promise you.
AUDREY
(moved)
You can't promise. But thanks for wanting to. I actually
came in here to update you on my Seattle trip.
BEN
(closes the book)
Update away.
(CONTINUED)

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