Black And White Photography - 11-2015.pdf

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COOL, CREATIVE AND CONTEMPORARY
24 September 2015 –
28 March 2016
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EDITOR’S LETTER
© Anthony Roberts
O
Elizabeth Roberts, Editor
elizabethr@thegmcgroup.com
ne of the nicest things about
the job I do is that I get to
see pretty nearly all the new
photography publications as
they come out. Many are by
established photographers of
renown, but some are by emerging artists. Most
are produced by mainstream publishers but,
increasingly, small publishers are bringing out
interesting and beautiful books.
When a new book appears on my desk I am
always curious to see what sort of impact it will
have – will it entice me to enter its world or will
it lose my interest as I flick through its pages?
It begins, of course with the work itself – its
strength and coherence, its ability to hold the
attention and imagination. But beyond that is
the way in which the work is presented, the text
that accompanies it, the cover, the end papers,
the binding. They all add up to its personality.
But part of the pleasure I think we get from
photography books is the way in which we
engage with them, which is entirely different
from the way we engage with images on screen.
Perhaps it’s because the images have a ready
made context i.e. – the book itself – that gives
them further meaning. Or perhaps it’s the fact
that we tend to spend more time with a book;
we flip back and forth, dive into specific parts,
compare, touch, feel, smell. A book has an
almost living presence; it has weight and colour,
texture and form. A kind of life of its own.
There was a time when they said books were
dead, but it appears they were wrong. The
photobook particularly is alive and well and
gaining momentum. Long may it last.
facebook.com/blackandwhitephotog
follow us on Twitter @BWPMag
© Monika S. Jakubowska
PINBOARD
© Tony Richards
B+W
01
URBAN DOG
It was the dog’s forlorn expression in this image that struck a chord
with us canine lovers in the B+W office. Monika took this image in
Kensington, London, while the dog was waiting for its owner to return.
msjphotos.co.uk
© Mathijs van Oosterhoudt
A PHOTOGRAPH WE LOVE
Perhaps it’s the empty chair, beautiful natural light, intriguing top hat
left on the floor or the wet plate collodion process used to create this
image that made us instantly love Tony Richard’s picture.
See more from Tony’s stunning portfolio here: fourtoes.co.uk
THE FOCAL CAMERA
Dutch artist Mathijs van Oosterhoudt launched the Focal Camera
project to show that building complex cameras can be done in a simple
way. All his module designs and instructions are available to download
for free on his website. Anyone interested can try their hand at creating
pinhole, medium format and trichrome cameras.
focalcamera.com
Quote of the month
This month we found inspiration from American B&W
photographer Paul Caponigro, who once said:
‘It’s one thing to make a picture of what a person looks like,
it’s another thing to make a portrait of who they are.’
© Jens Juul
© Michael Jackson
ISSUE 182
NOVEMBER
2015
08
24
© Alexis Maryon
36
© Graciela Iturbide
50
COVER
IMAGE
This month's cover
is by Gillian Lloyd
See also page 4
©Gillian Lloyd/bwpawards.co.uk
© Sarah Howard
80
GET IN TOUCH
02
B+W
Tel
01273 477374
facebook.com/
blackandwhitephotog
twitter.com/BWPMag
EDITOR
Elizabeth Roberts
elizabethr@thegmcgroup.com
DEPUTY EDITOR
Mark Bentley
markbe@thegmcgroup.com
ASSISTANT EDITOR
Anna Bonita Evans
anna.evans@thegmcgroup.com
FEATURES
NEWS
Key stories in the black
& white world
COMMENT
FOR FULL
DETAILS OF
HOW TO GET
PUBLISHED IN
BLACK+WHITE
PHOTOGRAPHY
TURN TO
PAGE 54.
NEXT MONTH’S
ISSUE IS OUT ON
29 OCTOBER
08
24
36
80
STRANGERS
IN THE NIGHT
4
NEWSROOM
22
50
78
AMERICAN
CONNECTION
Award-winning pictures
by Jens Juul
REINVENTING
THE WORLD
7
ON THE SHELF
Susan Burnstine meets
a photographer fascinated
by Russia
Our pick of the best
photography books
A MODERN EYE
All is not what it seems in the
pictures of Michael Jackson
A NEWHAVEN
NARRATIVE
18
IN THE FRAME
20
The must-see show
Photo exhibitions around
the country
Shoair Mavlian on
the remarkable work of
Graciela Iturbide
Alexis Maryon captures the
spirit of a seaside town
EXHIBITION
OF THE MONTH
A FORTNIGHT
AT F/8
60-SECONDS
Forget the equipment and
develop your eye, says
Tim Clinch
Sarah Howard discusses
her passion for trees and sky
© Tim Daly
© Eddie Ephraums
© Lee Frost
66
42
60
© Thinkstock/Thomas Shanahan
© Lee Forrest
© Michael Finlay
46
82
96
03
B+W
TECHNIQUE
INSPIRATION
TESTS AND
PRODUCTS
YOUR
BLACK+WHITE
60
66
72
IT’S IN THE DETAIL
Lee Frost shows how
to set your pictures apart
from the crowd
42
46
56
B+W PRINTING
WORKSHOP
70
74
NIKON D7200
Eddie Ephraums on how to
create fabulous prints
Nikon’s promising DSLR
put to the B+W test
30
82
PORTFOLIO
Your pictures could
win a prize
CHECKOUT
SMARTSHOTS
PHOTO PROJECTS
SECOND SIGHT
Capture the
eccentricities of life with Tim Daly
Seven exercises to open
your eyes and your mind
Six of the best online
photography galleries
Send us your best
smartphone shots
SMART GUIDE
TO PHOTOGRAPHY
ALL ABOUT
PRINTING
84
BLACK+WHITE
LOVES
Cool kit for your shopping list
Tim Clinch on smartphone
photography
The link between framing
and composition
86
NEXT MONTH
SUBS OFFER
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And for our next trick. . .
96
LAST FRAME
A single image to close
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